![]() I’ve had to mix without video numerous times, usually because the editor is adding B-roll or redoing CGI, or the director wants to color correct at the 11th hour. Of course, you may be forced to mix without the final edit, and in some cases, you may even need to mix without picture. Review some of the tips in the previous articles to fine tune your audio before the balancing begins, particularly the plug-in discussion in Part 3.Īgain, do not start working on the project until you have a finished and locked video edit. Let’s presume for a moment that your source audio is well captured, or that you’ve already done the work required to get things sounding at least passable. Your output is only as good as the quality of your input. Onward to the scary stuff, just in time for Dia de los Muertos. We’ll wrap up this series with some tips for mixing, deliverable specs, and some dire media warnings. So far, we’ve talked about the kind of work that’s out there, approaches to post projects, tools and technologies, and some of the wacky stuff you’ll see on the front lines of mixing audio for image. ![]() Welcome back! You’ve made it to the final episode of our audio post-production series.
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